Architects in Context

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SPEAKING ARCHITECTURE

I am not bilingual.  I always suspected this about myself.  I think perhaps there was a time I could fake it, but now I know the truth.  I really don’t speak fluent architect!  On a recent field trip to Rice University with co-workers from Dallas and College Station, as well as some of their architecturally trained spouses, there was no trickery or smooth talking from me…I was outed.  As they discussed the metal this, and the exterior that, the lines of the so and so, and the spatial alignment of this and such….I knew, in this group, I couldn’t hold my own.  I was a featherweight in the heavyweight class.

Let me state the facts, in the world according to Architecture I have what you might call a “Past”. What I mean precisely is that at one time I had a life that did not revolve around architecture.  Even so, I have now been somewhat accepted, especially by my peers here at BRW.  In fact, some even educate me on the finer points of architecture.  But still, I struggle.

So on that recent field trip to Rice; did I appreciate the grand design style of the buildings?  YES.  As much as you did?  NO.  But what I did get to see that you, Mr. or Ms. Architect missed, was my coworkers and friends delighting in the things they are most passionate about—ARCHITECTURE.  I admired watching you touch the pillars.  Respected how you understood the language of what the architect was trying to accomplish.  How each of you walked like a toddler at Disney World pointing, oohing, and aahhhing at the magic of a building.  How you carefully described that the metal exterior panel was handcrafted and tirelessly put together, all with non architectural vocabulary words that I could understand.

The thing many architects don’t realize is that often, when they don’t know and they least expect it, they are inspiring us in the “outside world”. My friends, it happens to me all the time.

POSTED BY: Malia Nix

AIA GRASSROOTS ON CAPITOL HILL

Last week I had the opportunity to join more than 700 AIA members and staff, during the AIA Grassroots Legislative and Leadership Conference, to converge on Capitol Hill to meet with our elected representatives. Our message: pass the AIA’s plan for economic recovery.  Even as the economy continues to show small signs of improvement, the lack of access to financing is keeping too many projects on the sidelines.  Fortunately, a bipartisan group of representatives has introduced the Credit Access for Main Street Act (HR 1356). This bill would enable community banks more flexibility with their commercial real estate loans, giving them more capital to invest. That will help the banks provide more financing and create jobs.  We asked our members of Congress to support this bill and 3 others that will directly benefit our profession.

Send a message of support through the AIA’s newly enhanced Advocacy Center.

POSTED BY: Craig Reynolds, FAIA

RICHARD DIEBENKORN (AMERICAN 1922-1993)

The Ocean Park Series:

Hurry before it is gone!  One of the most influential artists in my somewhat limited art consciousness is Richard Diebenkorn.  As a young architecture student, beginning my first graduate studio I was introduced to the Ocean Park Series by my studio professor at the time.  The beautifully proportioned images had a direct impact on the way I approached a project in that studio, studying the catalogue of over a hundred paintings in the series revealed a sense of order to my design process.  Since that time I have continued to admire and refer to Diebenkorn’s work as a constant influence.

It was with great anticipation that I learned of the unprecedented collection of Ocean Park Series that was on exhibit at The Modern in Fort Worth.  I must say, the difference between viewing any work of art in a book or on-line is nothing compared to the impression of full scale works.  Most of the series are very large formatted pieces that grab your attention from across the room.  The most pleasant surprise of the exhibit are a group of smaller pieces that Diebenkorn painted on wooden cigar boxes for friends and family as gifts or greetings; amazing small works of art.  I certainly enjoyed every turn within the gallery.  The exhibition runs through January 15, 2012 so make sure to visit soon.

For additional information on Richard Diebenkorn and The Modern visit:  http://www.themodern.org/press_release/diebenkorn_press2011.html

POST BY: dshankins

CRAIG REYNOLDS, FAIA, INTRODUCED IN CHECKSET

Most of us have recently received the latest issue of the Texas  Society of Architects’ online newsletter, CheckSet.   Don’t  miss BRW’S founding partner and TSA president-elect, Craig Reynolds’  first online letter located on page 4.  As the 2011 TSA president-elect, Craig talks about being nominated and eventually chosen for the 2012 presidency.  Be sure to keep an eye out for his bi-monthly letter in each 2012 publication.

HAPPY HOLIDAYS

All of us at  BRW Architects wish you a happy healthy holiday season!

LEWISVILLE FIRE STATION NO. 7

BRW is proud to present the first in a series of video interviews with some of  our clients.  Each interview addresses questions about the project design  and the process of working with our firm.  In the following video, Chief Tim Tittle of  the Lewisville Fire Department  talks about the planning process, design stage and construction of  Fire Station No. 7.  Be on the lookout for future  interviews concerning additional project types.

DALLAS CANSTRUCTION 2011

Canstruction, Inc. is a nonprofit organization that holds annual design/build competitions to construct giant sculptures entirely out of cans. Once again, BRW Architects participated in this event, hosted by Northpark Mall in Dallas.   This year, BRW designed and built Brwessie – a cow holding a sign that read “Feed Mor People”.   The final design consisted of 1,482 cans, including mixed vegetables, ravioli in marinara sauce, black eyed peas, soy-based infant formula (for the cow’s utters) and 2 canned hams (for the ears). We raised approximately $1,357 total.   After a long morning of hard work, Brwessie was completed – it took all of 6 hours to build out! Our volunteer team, headed by Carol Kesler and Ronnie Schmidt, consisted of Fred Clifford and family, Jennifer Trojcak and boyfriend, Chris Sano and family, Fred Clifford, Charles Brant, Brooke Corey, Dimitri Potts, and Lori Lampe. This year’s participation was at an all time high with roughly 83% of the firm contributing in some way, through the design charrette to the tear down, Although we had some stiff competition from 18 other architecture and engineering firms, our design was a success, and most importantly, we raised a lot of food for the North Texas Food Bank!

POSTED BY: LLampe

TAKING STOCK…MAUI STYLE

Traveling 8 hours by 767 to visit paradise may seem extraordinary or a luxury.  Both are likely true.  But what draws us back time and time again?   Do the sites of the same small island ever become mundane?  Can the same opportunity to relax, escape and spend precious family moments not be accomplished on the shores of lower Padre, Florida, Cancun, southern California or just as refreshing as the cool air of Colorado mountain vistas or upper Atlantic seaside towns of New England?  Possibly.

Certainly European adventures are phenomenal; the historical basis of our American society, leading, though often the trailing edge of our conscientiousness.  Always another sight to see, cuisine to experience, culture to encounter.  I will never cease to enjoy catching the next train to check off another site that has been on the eternal bucket list.  A different kind of trip that addresses a different yearning.

Maui’s local industry caters to the western tourist more so than the outlying islands. If one seeks non-stop activities there are countless opportunities and “deals” to keep one entertained and busy.  Scuba, snorkel, surf, swim, sail, scenic sightseeing, jet skis, fishing, submarine or helicopter rides, hang from a parachute or zipline, you name it, it will be found.

To us however, Maui is tranquility and serenity, perhaps closer to being Shangri-la than Shangri-la; a nice regeneration of soul while attempting to put the efforts and challenges of the work place briefly to the side.  Maui an island in and of itself, like each of the Hawaiian Islands, whose ambiance is influenced by the local tropical flavor and styles of Polynesia, brilliant colors, and blending of multiple cultures.  A politely simple, slower pace.  Air conditioning is optional.  Lobbies, eating establishments and shops are open to the elements.  T-shirts, shorts, swim suits, sun glasses, 50 SPF and flip flops are necessities. The occasional “Aloha-ware” totally optional. “Hang-loose” is the state motto.  Maui is where you stop and take count.

Schedules and lists are not allowed.  Island time, island feel, island courtesy, and island seafood (caught that day) creates an atmosphere and affect that ensures revival.  The gentle waves constantly lapping at the beach.  The island air is constantly refreshed by the Kona trade winds sweeping across the cool Pacific waters; absorbing the fragrance of a mountain shower or the always pungent blossoming flowers and trees.   The Fahrenheit has a typical 20 degree swing from the 60’s to the 80’s, with the breeze keeping the humidity and temperatures at a comfortable level.  Only when reaching the higher brisk elevations of the extinct volcano, often requiring a drive through the clouds, does one dawn a sweater or where hiking through a 400” per year rain forest is a jacket needed.

Every day starts with a morning walk on the beach.  Every day brings a vibrant rainbow.  Every sunset is shaded with varying hues of pink, yellow, purple and red.  Yes, taking stock of life, counting blessings, and reflecting on purpose and what is important, requires a regular infusion of Maui.

POSTED BY: Craig Reynolds, FAIA

JOHN T. WHITE ELEMENTARY RIBBON CUTTING

It’s always nice to finish a task, a project, meet a deadline or cross the finish line – no matter how big or small the victory or project is.  In architecture, reaching the finish line takes a good deal of patience.  A house could be designed and constructed in a few months, while a sports stadium or hospital might take five or six years to complete.

On August 10 I attended the ribbon-cutting ceremony for John T. White Elementary School in Fort Worth, Texas.  The event concluded more than 20 months of planning, designing and building.  The school was designed to educate up to 650 students at a time and will be a CHPS Verified school pending the final review.  (CHPS – Collaborative for High Performance Schools – is a sustainable rating system focused on schools and indoor classroom quality)).  Like any project, the school had its share of late nights on the drafting table and long days in the hot sun with dirt of the job site.  All seems worth it now as the  impact of the project can already be seen and felt.

The ceremony drew more than 250 interested people, including staff, teachers, parents, and children. There were brief and sincere comments by Ms. Tobi Jackson (FWISD Board of Education), Mr. Walter Dansby (Interim Superintendent) and Ms. Joann Dickerson (JTW Principal) about the neighborhood, the project team (AECOM, BRW Architects and Yates Construction), the future of the school and the unveiling of the school mascot, The Titans.  The public was then invited to tour the building and enjoy refreshments in the cafeteria.

I always enjoy seeing and hearing the reactions people have to a building, whether I played a part in it or not.  The reactions to John T. White were positive, and, as teachers were finding the rooms they will teach in, I even caught a few jumping for joy in the classrooms.  One teacher was nearly in tears for the positive change to the learning space the students would have access to.  I never saw the places they taught before, but I gathered that this school is a huge upgrade for many of them.  I pointed out a few design features I thought they might enjoy, day-lighting sensors, classrooms specific temperature control, operable windows, etc.  Perhaps not overly impressive features, but to those teachers, they were immense.

I had several people shake my hand and thank me for the work I did.  I never feel quite deserving in those situations.  So many people are a part of the process: designers, drafters, engineers, masons, and roofers.  I hardly feel justified taking credit for the work of so many.  I do, however, hope that the work of all those people plays a role in the children that pass through the halls of this school.  I hope that this school helps the teachers to teach and the students to learn.  I hope that this school is one of the best rated in the neighborhood because the teachers and parents are engaged in the students’ lives.  I hope that this school can be a great foundation for the education of children for years to come.

POSTED BY: charlesbrant

THE BEAUTY OF UNRELIABILITY

Like most Architecture students at UTA, I took photography.  Back then it was a still photography. I spent both many hours in a dark room and a lot of money for the supplies. After graduating, I rarely took photos.

In 2006, one of my friends introduced me to Flickr, which is an image-hosting website and online community owned by Yahoo! It is a popular website for users to share and embed personal photographs. I casually joined and got myself a DSLR.

To my surprise Flickr turned out to be a very supportive community.  It is basically a social network for advanced photography enthusiasts. There are various groups not only to share photos but take a part in discussions. Some of the groups are used by bloggers to host images that they embed in blogs and social media. I have had numerous photos featured in the NPR picture show, Art&Seek by KERA, and archidose by John Hill, which is a popular architecture blog site.

Originally I never liked the idea of switching to digital in spite of how convenient it is. The result was never same.  Besides, I realized that the most beautiful digital photos on Flickr were the ones in which the photographer spent a lot of time on Photoshop trying to not make it look like a digital photo.  The quality of image, depth of colors, or just the mood the film image creates is far superior to digital. I have come across so many captivating inspirational photos by film cameras on Flickr that it gave me an analog aspiration. I now own a few medium-format film cameras.

Medium-format is a film size. The film format is called 120 (60mm wide) and it is a rolled film.  The brand names — Kodak, Ilford, Fuji , Lomography — can still be purchased online. In Dallas, a couple of stores still develop medium-format films.

I have Holga and Hasselblad, both of which come in square frames, which I love.

I purchased a used Hasselblad 500C/M from a local photographer, who switched to digital.   It came with the body, film back and 80mm lens.   Hasselblad is made in Sweden using a German-made Carl Zeiss lens, which is widely used by professionals. Perhaps the most famous use of the Hasselblad camera was during the Apollo mission, when man first landed on the Moon. What I like about this camera is not only the exquisite design of body, superb optics, large viewfinder, and loud shutter sound but also the particular the shallow depth of field. The soft focus gives the images an ethereal feel.

My Holga is pretty much opposite. It is a well known as a toy camera, with a plastic body and plastic lens made in China. It is simple to use, the shutter speed is fixed, it has one effective aperture, and basic focus. The images are unpredictable until I develop the film. The aesthetics of cheap plastic construction fail in many areas.

On this black and white image of my daughter taken at the Modern in Ft Worth, I have a missing area on upper right corner because of the light leak.

The images display a vignette, blur, light leak and other distortions.  This is typical characteristics of the toy camera. Then again I love how the image appears to look a lot like an old, restored photo.

This is a color image of a sculpture called “Walking to the Sky” by Jonathan Borofsky at the Nasher Sculpture Center. It was such a sunny day.  Light leaked from the back of a red window, giving the image a surreal look.

I occasionally use a texture merged with a digital photo to express a different feel.

I recently bought a Holga wide-angle pinhole camera. The size of film doubles to 12×6. The look is timeless.

Double exposures  or any number of exposures can be done.

Actually, this was a happy accident. I did not know until I developed the film. Working with film creates both anticipation and unreliability. Those problems became a virtue for me.

Since I wasn’t familiar with the medium-format cameras, Flickr was my source and inspiration. I increased friends through Flickr all over the world, including from my home country Japan. If any of you would like to see those cameras, film or print out, just let me know and I would be happy to show you.

POSTED BY: Masako Fujinami

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